News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...
Dott. Lett. Pavia; MA Kent, DPhil Oxon – Professor in Italian and the Visual Arts at Royal Holloway University of London and Head of the School of Modern Languages, Literatures and Cultures. She is the Principal Investigator for the project Interdisciplinary Italy 1900-2020: interart/intermedia. She has published widely on 19th and 20th century visual culture, cultural history and popular literature. Her research interests are firmly in the area of comparative and interdisciplinary studies, especially the intersection of the verbal and the visual, and the role of Italian visual culture in the construction of Italian identity both in Italy and abroad. Recent volumes include The Cult of the Duce. Mussolini and the Italians from 1914 to the Present (2013, with S. Gundle and C. Duggan), and Italian Crime Fiction (2011). You can see her discuss the work of contemporary Italian crime writers in the BBC Four documentary film Italian noir. In 2010 she co-curated the exhibition Against Mussolini. Art and the Fall of a Dictator (London, Estorick Collection of Modern Italian Art) as part of the AHRC funded research grant The Cult of the Duce (www.mussolinicult.com). She is on the editorial board of Italian Studies (Cultural Studies issue), general series editor of European Crime Fictions and Studies in Visual Culture (University of Wales Press, Cardiff) and is a member of the executive committee of the Society of Italian Studies. In 2014-15 she was the recipient of the HARC Fellowship with a project entitled Making Space for Art, sponsored by the Humanities and Arts Research Centre at Royal Holloway. Pieri’s contribution to Interdisciplinary Italy 1900-2020: Interart/Intermedia focuses on Italian Modernism and the intersection between design (pre- and postwar) and Italian culture as part of the project’s collaboration with our partner, the Estorick Collection of Modern Italian Art.