News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...
If in 1603 the popular question was ‘to be or not to be?’, nowadays it is ‘to be specialised or to be interdisciplinary?’. Never was there a question of more woe than this in modern academia and, just as in the 17th century, the answer to this dilemma is not a simple one. This is mainly due to the fact that both specialization and interdisciplinarity have pros and cons.
Being specialized in one subject or field might mean habitually working and operating in what we might define as an academic comfort zone characterized by familiarity with tools and methods, as well as with pre-acquired knowledges and pre-set terminologies. The idea of maintaining a research project within the safe boundaries of a single discipline’s identity can guarantee the researcher the confident use of the tools and the methodologies he/she is accustomed to. A specialized approach allows an in-depth analysis that is crucial for investigating a single discipline or a topic properly and in detail, so as to highlight every particular aspect of a given research area. This mono-disciplinary approach facilitates the specialization of the researcher who is so enabled to become a real expert on the topic under analysis; this results in identifying him/herself as a specialist of a limited, yet clearly defined, field of research within the academic environment.
However, the risks showcased by this approach might include a potentially narrow mindset, lack of innovation and, above all, the stagnancy of an existing status quo. This risk of stagnancy has gravely affected specialised studies where it is not infrequent to come across the same ideas and old-fashioned principles over and over again. What lies inert eventually triggers contempt and boredom. As a matter of fact, the drowsiness of specialisation has condemned it to be viewed with increasing suspicion.
Interdisciplinarity, as an innovative method of inquiry, has instead emerged as a compelling antidote to those problems of specialisation and it seems to be very fashionable in modern academia. Interdisciplinarity promises flexibility, openness to multifaceted and pioneering paths of research, and the acquisition of investigative tools in line with the current global context. As it has been rightly pointed out in Italian Studies: An Interdisciplinary Perspective, ‘Researchers today find themselves at a unique historical vantage point as a result of gains in interdisciplinary methodologies and perspectives […]’ (Brook, Mussgnug & Pieri 2017: 380). In other words, interdisciplinarity represents a new opportunity for researchers to highlight diverse aspects of the same topic by adopting methodologies from different subjects and assuming different perspectives. This approach can be useful to analyse a research theme from a 360-degree perspective, taking note of the complexity of contemporary reality, which is similarly multifaced. Nonetheless, interdisciplinary research risks appearing like a ‘no-man’s land’ in which the researcher inevitably faces the most diverse challenges related to their own identity, terminological ambiguity, and knowledge-superficiality, which might mine the solidity of the final result(s) in the study conducted.
Having acknowledged this, what type of pragmatic issues might an interdisciplinary and multi-medial approach to research cause? One of the outputs of a recent exchange of ideas at the first Interdisciplinary Summer School at Trinity College Dublin evidenced the confusion and common misunderstanding of a plethora of new terms and theories, including cross-border definitions that include different disciplines and media. Because these terms and theories may not have gained universal acceptance yet, researchers find themselves confronting a new challenging when developing terminology, which, while encouraging a dynamic research context, can also be perceived as somewhat unstable. This is especially the case when a research project is suspended between two or more countries, which consequently comprise diverse cultural contexts and points of reference.
In conclusion, it is clear that both approaches – the specialised and the interdisciplinary – have their good points. The dichotomy between a very well-known canonical methodological approach and a truly innovative one, characterized by flexibility and a speculative multiplicity, is complex and cannot be solved here. It represents a new challenge for contemporary and future academic debate, and indeed the ambivalence surrounding the different approaches helps academia to remain vital and active. Hence, the question still remains crucial and, undoubtedly, open to fresh talks.