News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...
The 2024 Interdisciplinary Italy Summer School took place last week in Trinity College, Dublin. We are grateful to our funders: the European Commission Funding (Marie Skłodowska-Curie Actions) and the Society for Italian Studies. This was our fifth summer school and we dedicated it to investigating – and indeed even making – transnational Italian comics.
The summer school explored the concept of transnationality in Italian comics and how both transnationality and intermediality can be used as methodological approaches for the study of comics and, more broadly, visual media. Dr Manuela Di Franco introduced the concept of transnationality as a methodological approach to the study of comics and delivered a workshop on reading and analysing a comic by Italian popular comic artist Zerocalcare. Prof Nancy Pedri (Memorial University of Newfoundland) delivered her keynote on transnationality in documentary comics, and explored intermedial storytelling practices of comics, linking the talk with Prof Clodagh Brook’s introduction to intermediality. Prof Brook’s seminar explained intermedial approaches, as well as the history of the field, and encouraged participants to reflect on how intermediality can be used in their research. Dr Lisa Maya Quaianni Manuzzato introduced alternative comics and comics zines to show how different production practices can impact the transnational dimension of comics in Italy. The summer school ended with a workshop on comics zines creation delivered by local artists, the Bad Way Press, who showed how alternative printing works and guided participants in creating their own zines. The workshop was an opportunity to put into practice concepts addressed during the seminars. It also offered an opportunity to connect with artists.
Participants collaborated to analyse comics from a scholarly perspective, engaging in group discussions on methodological approaches in comics and visual studies. These discussions provided an opportunity to reflect on how comics integrate into the broader landscape of Italian popular culture. The summer school not only facilitated academic exploration but also fostered new academic collaborations among participants. The exchange of ideas during seminars and workshops created a dynamic environment where scholars and artists could connect, leading to the initiation of potential research projects and partnerships. The hands-on activities, particularly the zine-making workshop, allowed participants to apply theoretical concepts practically, further strengthening their understanding and appreciation of comics as a significant cultural medium. This collaborative and immersive experience emphasised the importance of interdisciplinary approaches in the study of comics and visual media, highlighting their role in contemporary cultural and academic contexts.
The summer school, alongside the Interdisciplinary Italy website remain important legacies of the Interdisciplinary Italy project, which is carried on through these channels, and through the continuing research of the Interdisciplinary Italy research group (Brook, Mussgnug, Pieri, Bellardi, Brioni, Di Franco, Lima, Patti), and the postdocs and PhD students who work with the members of the research group.