News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...
The 3rd Interdisciplinary Italy Summer School took place at Trinity College Dublin on 7-8 July 2022, was organised by Clodagh Brook and Cecilia Brioni with the support of the Irish Research Council and the Society for Italian Studies. It attracted speakers and participants from a variety of academic contexts (Ireland, the UK, Italy, Switzerland and Austria) and at different career stages, from PhDs to Full Professors. Their research interests mostly revolved around transnational, transcultural and transmedial processes, with very exciting research projects in arts, cinema, poetry, podcasts, publishing, as well as material culture and memory.
Through sessions combining short talks with interactive activities, we aimed to tackle three questions:
Clodagh Brook’s talk, which opened the Summer School, discussed different models of co-creation that could be applied to our research, by underlining the non-linearity of the process of co-creation and the advantages of bringing collaborators on board right at the start of a research project.
The subsequent sessions were divided onto three main areas, namely relations with education, industry and the arts. The sessions on education, led by Cecilia Brioni and Giuliana Pieri, discussed experiences of collaboration with undergraduates and secondary-school students, namely Giuliana’s ‘Interart in Schools’ project and Cecilia’s project to bring her research on YouTube into a collaborative university classroom. The session on industry was led by Martina Mendola, a recent graduate of Trinity with a PhD in Italian who now works for Accenture. She discussed her experience as a researcher in the industry and how relevant our work on identity can be in an industry setting. The two sessions led by Derek Duncan and Simone Brioni respectively dealt with co-creation of outputs with artists. Derek shared with us his experience of collaborating with photographer Mario Badagliacca for their book, Italy is Out. Simone talked about his documentary, Oltre I bordi, which uncovered Italy’s fascist-era colonialisation through a box of family photographs.
The second part of each session was designed to encourage participants to experiment with different kinds of creative collaborative activities, including designing a module with co-creative elements, making a pop-up exhibition, brainstorming research questions using post-its, discussing how to collaborate with artists as early career researchers, and creating the storyline for a documentary.
The final activity of the Summer School was a research sandpit, where participants were asked to work in groups to write the rationale for a research grant and identify the intended outputs for a collaborative research project that would fit each participant’s research interests and involve a co-creation element. The three groups produced three projects: ‘Before Ferrante. Women Writers between Visibility and Invisibility’, ‘The Aest(h)etics of memory in Urban Spaces’ and ‘Minority Engagement in the Metaverse: Voice and Visibility’. Results of the sandpit were then presented to a panel of judges, from Trinity’s Research Office and Trinity’s Tangent: Ideas Work Space, who decided the winning project. The prize was supported by the SIS.
Overall, the Summer School was very well received. Participants particularly appreciated its learning-through-doing approach that enabled them to experiment with different techniques of, and approaches to, co-creation. Our speakers actively participated in all activities, providing useful feedback on the ideas that were shared in the small group activities.
The Summer School enabled us all to carve out two days to reimagine our research and teaching in a more collaborative and impactful way.