News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...
(Dott. Lett. Urbino, MA UCL, PhD University of Birmingham) – was Senior Research Fellow at the University of Birmingham for the project Interdisciplinary Italy 1900-2020: interart/intermedia, and is now Lecturer in Italian at the University of Edinburgh. Before joining this project, she was Senior Lecturer of Media Theory at the Media School of the University of Bournemouth (2014-2015), Senior Lecturer of Italian at the Institute of Modern Languages Research, School of Advanced Study, University of London (2013-2014) and Visiting Professor at the Internet Interdisciplinary Institute, UOC, Barcelona in 2011. Her research interests range across a variety of areas, including modern and contemporary Italian culture, cultural representations of Dante, comparative literature, digital cultures. She has published on 20th and 21st Century culture, with a particular focus on Pasolini and Dante, postwar debates on realism, experimental literature and digital humanities. She is author of Pasolini After Dante: the Divine Mimesis and the Politics of Representation (Legenda, 2016), as well as the co-edited book Transmedia: Storia, memoria e narrazioni attraverso i media (Mimesis, 2014) and the edited book La nuova gioventù? L’eredità intellettuale di Pier Paolo Pasolini (Joker, 2009). In 2016 she has edited two special issues on experimental narratives from the avant-gardes to the digital age: Experimental Narratives: From the Novel to Digital Storytelling, a special issue of the Journal of Comparative Critical Studies, 13.3 and Reading Practices in Experimental Narratives: A Comparative Perspective from Print to Digital Fiction in Modern Languages, a special issue of the Journal of Romance Studies, 16.1. She was editorial co-director of the International Journal of McLuhan Studies, senior editor of the Journal of Romance Studies, general series editor of Cultural Memories (Peter Lang) and she is a member of the executive committee of the Society for Italian Studies. Patti’s contribution to Interdisciplinary Italy 1900-2020: Interart/Intermedia is focused on the Digital Age, Interart/Intermedia theory and artistic practices, and on interdisciplinary/intermedia research and teaching methodologies. Patti was also the blog editor and digital media manager for the project.