News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...
Our group focused on borders and border crossing in relation to interdisciplinarity in the Internet age. The first part of our discussion covered issues like the relationship between academic journal and blogs in interdisciplinary intellectual discourse, as well as forms of transmedia storytelling from narrative texts to narrative landscape. Following our stimulating discussion, one of the first questions to answer is the following: does our Internet “brainframe” (De Kerckhove) influence the way we approach the disciplines and their relation to each other? I have gathered a few thoughts on this issue. In a media ecological perspective, the answer would be positive. The assumption would be that the socio-technological environment we live in has an impact on the way we conceive knowledge and interact with the world. In this sense, representation and cultural practice are strictly related to the technologies that, respectively, produce and facilitate them. As Neil Postman said, “Our languages are our media. Our media are our metaphors. Our metaphors create the content of our culture”. Drawing on Postman, we could then reformulate the questions above in the following terms: what does the border crossing of the Internet tell us about interdisciplinarity? And, more precisely, how does the rhizomatic structure of the Internet contribute to interdisciplinary thinking? How is this competing with the other media through which we develop and communicate knowledge, especially the book? In The Gutenberg Galaxy, McLuhan emphasizes that the way we have conceived knowledge up to the electronic age has been influenced by the linear narrative structure of the printed book and the predominance of the sight on all other senses. The so-called “book mentality” has significantly contributed to giving a sense of an ending to our narratives and creating our “point of view” on the world. Also, it has encouraged disciplinary specialisation and the fragmentation of knowledge. If we consider academia as the place in which specialised knowledge is developed to its highest levels, we could further explore how virtual interconnectedness is challenging the compartmentalisation of physical and disciplinary areas in our universities, how new narrative forms of knowledge can co-exist with traditional ones and what consequences the former and the latter would have on knowledge development in our networked culture.