News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...
Panel: M. Gargiulo (Bergen), Joanna Kostylo (The British School at Rome), (Università Statale, Milano), G. Pieri (RHUL).
Marco Gargiulo’s observation on the interdisciplinary nature of many job adverts in Italian Studies in UK universities (asking for instance teaching and/or research expertise in 20th century literature AND cinema) was the starting point for our discussion on the interdisciplinary thrust of Italian Studies in the UK. Departmental structures, with Italian as part of larger groupings which include alternatively European Languages and Cultures and European Studies, were viewed by the panel as a sign of the de facto interdisciplinary context in which we currently operate.
Our discussion moved onto to three levels at which interdisciplinary research and teaching operate in academic institutions:
As the previous discussion panel at NYU noted, financial factors seems to have an impact on interdisciplinary research. The drive towards interdisciplinarity can help institutions to frame more positively departmental cuts and restructuring, but it is also linked to the policies of national and European funding bodies to which universities and individuals need to respond. This was seen by some members of our panel as a threat to the individual scholar and the high quality research which in the Humanities is still often the preserve of the lone scholar.
A different model of fostering interdisciplinarity could be seen within non-academic institutions. We talked about the British School at Rome in which for instance scholars with a shared interest in Italian culture, literature, art, archaeology and artists share the same physical and metaphorical roof.
Our final thought was that discussing interdisciplinary research and teaching in Italian Studies was a means to open up discussion on the identity of Italian Studies and the place and status of the discipline in different national and institutional contexts.