News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...
(DPhil Oxon; BA and MA University College Dublin) Professor in Italian and Head of Italian, Trinity College Dublin. She was Interdisciplinary Italy’s deviser and its Principal Investigator and continues to provide its intellectual leadership (as International Co-investigator since her transfer to Ireland in 2017).
Clodagh has published widely on twentieth- and twenty-first century Italian culture, on cinema, poetry and interart/intermedia practice, on cultural dissent, identity, and religion. She is author of Screening Religions in Italy: Contemporary Italian Cinema and Television in the Post-secular Public Sphere (UTP, 2019), Marco Bellocchio: The Cinematic Eye in the Political Sphere (UTP, 2009) and The Expression of the Inexpressible in the Poetry of Eugenio Montale: Metaphor, Silence, and Negation (OUP, 2002), as well as co-edited books and special issues such as Open Works: Italian Creative Intermediality (Italian Studies journal, 2019) Transmedia: Storia, memoria e narrazioni attraverso i media (Mimesis, 2014) and Resisting the Tide: Cultures of Opposition under Berlusconi (Continuum, 2010), as well as numerous articles, including those co-written by the Interdisciplinary Italy team. Since 2007, she has won research grants from the AHRC (3), the British Academy (1) and the European Commission (1).
Clodagh’s contribution to Interdisciplinary Italy 1900-2020: Interart/Intermedia is focused on steering the project’s intellectual direction, providing analysis of the 1980-2020 period, and helping to develop theories of interdisciplinary practice.
She welcomes postgraduate and post-doctoral applications, and provides guidance on funding for promising applicants.