News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...
Adorno, Kracauer, Ortega y Gasset: these are just a few of the thinkers who, at the turn of the 20th Century, expressed critical views on cinema and the way it affects its...
In Carlo Emilio Gadda’s modernist works, dress never constitutes a merely instrumental element of narrative. Rather, it serves to reflect the social habitus of a character, or its very habits of being....
My contribution at the recent Interart/Intermedia conference looked at the interartistic collaboration between Verga and Duse and the effect their collaboration had on Italy’s artistic creativity: observations which have been inspired by...
‘How dangerously blurring would it be […] if the Nazi heart had the cheek or the hypocrisy even to beat for Franz Marc or, in another field, for Bartók […]. The fact that...
A new publication about the Milanese artist Bruno Munari (1907-1998), titled Bruno Munari: The Lightness of Art, has been released by Peter Lang this month. The volume, edited by Pierpaolo Antonello, Matilde...
Co-authorship in fiction is a complex and multifaceted phenomenon that entails different types of collaboration. In my opinion, it can be seen as a planned and deliberate collaboration between two (or more)...
The definition of difficult heritage I use here is indebted to Sharon Macdonald’s important study of the heritage of Nazi Germany, according to which difficult heritage is ‘a past that is recognised...
Monday 13 February, 12-2 pm, a Tate Modern Workshop at Tate Exchange Join us in London, at Tate Modern, on Monday 13 February for an interactive workshop on Italian Futurism. The event...
A work by Mario Schifano shown at the recent exhibition Roma Pop City 60-67 at Rome’s Museum of Contemporary Art (MACRO) is a creative remaking of a famous photograph portraying five members...
If one were to choose an iconic piece of Futurist painting that best encapsulates the potentialities of interartistic exchange, Luigi Russolo’s La musica would be hard to beat. The painting is part...