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	<title>Keynotes Speeches Archives - Interdisciplinary Italy</title>
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		<title>Conference Announcement: Sites of Cultural Agency (Rome, Friday 18 October 2019)</title>
		<link>https://interdisciplinaryitaly.org/conference-announcement-sites-of-cultural-agency-rome-october-19/</link>
		
		<dc:creator><![CDATA[Florian Mussgnug]]></dc:creator>
		<pubDate>Mon, 14 Oct 2019 12:56:45 +0000</pubDate>
				<category><![CDATA[Archived project event]]></category>
		<category><![CDATA[Blogposts]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Keynotes Speeches]]></category>
		<category><![CDATA[Project workshops]]></category>
		<guid isPermaLink="false">http://www.interdisciplinaryitaly.org/?p=5558</guid>

					<description><![CDATA[<p>The conference &#8216;Sites of Cultural Agency: Creative Knowledge Production in the Arts and Humanities&#8217;, held at and in collaboration with the British School at Rome (BSR) examines the intimate link between material sites and creative knowledge production, with specific attention to the museum and the classroom. We will explore how spatial configurations produce meaning, and...</p>
<p>L'articolo <a href="https://interdisciplinaryitaly.org/conference-announcement-sites-of-cultural-agency-rome-october-19/">Conference Announcement: Sites of Cultural Agency (Rome, Friday 18 October 2019)</a> sembra essere il primo su <a href="https://interdisciplinaryitaly.org">Interdisciplinary Italy</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>The conference &#8216;Sites of Cultural Agency: Creative Knowledge Production in the Arts and Humanities&#8217;, held at and in collaboration with the British School at Rome (BSR) examines the intimate link between material sites and creative knowledge production, with specific attention to the museum and the classroom. We will explore how spatial configurations produce meaning, and how critical, creative practice can inform and transform our understanding of space. Museum curators, visual artists, actors and scholars from the creative and applied humanities will share perspectives on the history and practice of display, interpretation, and object-based learning. We are particularly interested in exploring the role of interdisciplinary and interartistic practices in the museum and classroom space.</p>
<p>The conference is linked to the AHRC funded project <em>Interdisciplinary Italy 1900-2020: Interart/Intermedia</em>, and two themes in the BSR research strategy: <em>Heritage Management and Sustainability</em>, and <em>History, Place and Imagination</em>. It is jointly supported by the UCL Cities partnerships Programme in Rome.</p>
<p><strong>Organisation</strong>: Florian Mussgnug (UCL) and Giuliana Pieri (Royal Holloway)</p>
<p><strong>Conference website</strong>: <a href="https://multidisciplinaryrome.org/2019/10/14/sites-of-cultural-agency/">https://multidisciplinaryrome.org/2019/10/14/sites-of-cultural-agency/</a></p>
<hr />
<h2></h2>
<h2><strong>Conference programme</strong></h2>
<p><span style="color: #ff6600;"><strong>PANEL ONE: EXPERIENCES</strong></span><br />
<span style="color: #ff6600;"><strong>Chair: Florian Mussgnug (University College London)</strong></span></p>
<table style="height: 961px;" width="868">
<tbody>
<tr>
<td width="76">9:00-9:30</td>
<td colspan="2" width="375">
<p style="text-align: center;"><em>Registration and Welcome</em></p>
</td>
</tr>
<tr>
<td width="76">9:30-10:00</td>
<td width="167">Derek Duncan (St Andrews University)</td>
<td width="208"><em>&#8216;Leonardo&#8217;: the impact of creative practice and co-production </em></td>
</tr>
<tr>
<td width="76">10:00-10:30</td>
<td width="167">Colin Sterling (University College London)</td>
<td width="208"><em>Spaces of Experience: Curatorial Experiments Beyond the Immersive Economy</em></td>
</tr>
<tr>
<td width="76">10:30-11:00</td>
<td width="167">Carmen Belmonte (Kunsthistorisches Institut in Florenz – Max Planck Institute) and Elisabetta Scirocco (Bibliotheca Hertziana – Max Planck Institute for Art History, Rome)</td>
<td width="208"><em>Art History in the Post-Catastrophic City: A Transdisciplinary Laboratory</em></td>
</tr>
<tr>
<td width="76">11.00-11.30</td>
<td width="167">Giuliana Pieri (Royal Holloway University London)</td>
<td width="208"><em>Tate Exchange: Creative Practice and Cross-Curricular Collaboration</em></td>
</tr>
<tr>
<td width="76">11.30-12.00</td>
<td colspan="2" width="375">
<p style="text-align: center;"><em>Coffee break</em></p>
</td>
</tr>
</tbody>
</table>
<p><span style="color: #ff6600;"><strong>PANEL TWO: MOBILITIES</strong></span></p>
<p><span style="color: #ff6600;"><strong>Chair: Harriet O&#8217;Neill (British School at Rome and Royal Holloway University London)</strong></span></p>
<table style="height: 486px;" width="869">
<tbody>
<tr>
<td width="78">12.00-12:30</td>
<td width="156">Elettra Carbone (University College London)</td>
<td width="217"><em>Scandinavian Fragments: Developing teaching and research projects using materials from UCL Special Collections</em></td>
</tr>
<tr>
<td width="78">12:30-13:00</td>
<td width="156">Hélène Neveu Kringelbach (University College London)</td>
<td width="217"><em>West African performers and the art of navigating a world of interrupted mobilities</em></td>
</tr>
<tr>
<td width="78">13:00-14:30</td>
<td colspan="2" width="373">
<p style="text-align: center;"><em>Lunch</em></p>
</td>
</tr>
</tbody>
</table>
<p><span style="color: #ff6600;"><strong>PANEL THREE: ARCHIVES</strong></span><br />
<span style="color: #ff6600;"><strong>Chair: Giuliana Pieri (Royal Holloway University of London )</strong></span></p>
<table style="height: 1187px;" width="864">
<tbody>
<tr>
<td width="76">14.30-15.00</td>
<td width="158">Antonella Poce (Roma Tre University)</td>
<td width="217"><em>Developing users&#8217; soft skills in higher education through university painting collections</em></td>
</tr>
<tr>
<td width="76">15.00-15:45</td>
<td width="158">Simona Corso (Roma Tre) in conversation with Emiliano Russo (theatre director) and Alessandra Patrizi (Chiostro del Bramante, Rome)</td>
<td width="217"><em>Narrating and Performing the Museum</em></td>
</tr>
<tr>
<td width="76">15.45-16.00</td>
<td colspan="2" width="375">
<p style="text-align: center;"><em>Coffee break</em></p>
</td>
</tr>
<tr>
<td width="76">16.00-16.30</td>
<td width="158">Maria Bremer (Bibliotheca Hertziana – Max Planck Institute for Art History, Rome)</td>
<td width="217"><em>Exhibiting As Historiography</em></td>
</tr>
<tr>
<td width="76">16.30-17.150</td>
<td width="158">Jilke Golbach (UCL) in conversation with Carolyn White (University of Nevada, Reno) and Steve Seidenberg (photographer)</td>
<td width="217"><em>Making MAAM Matter: photography, archaeology and the politics of marginalisation in the case of the Museo dell&#8217;Altro e dell&#8217;Altrove di Metropoliz (Museum of the Other and the Elsewhere of Metropolis)</em></td>
</tr>
<tr>
<td width="76">17.15-17.45</td>
<td colspan="2" width="375">
<p style="text-align: center;"><em>Roundtable and conclusions</em></p>
</td>
</tr>
<tr>
<td width="76">17:45-18.30</td>
<td colspan="2" width="375">
<p style="text-align: center;"><em>Drinks Reception</em></p>
</td>
</tr>
</tbody>
</table>
<p style="text-align: center;">
<p>L'articolo <a href="https://interdisciplinaryitaly.org/conference-announcement-sites-of-cultural-agency-rome-october-19/">Conference Announcement: Sites of Cultural Agency (Rome, Friday 18 October 2019)</a> sembra essere il primo su <a href="https://interdisciplinaryitaly.org">Interdisciplinary Italy</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">5558</post-id>	</item>
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		<title>Dr Patti&#8217;s Keynote on &#8216;1968 in reviews&#8217;/23 April 2018, Birmingham</title>
		<link>https://interdisciplinaryitaly.org/23-april-2018-1968-reviews/</link>
		
		<dc:creator><![CDATA[Interdisciplinary Italy]]></dc:creator>
		<pubDate>Sat, 10 Feb 2018 22:43:43 +0000</pubDate>
				<category><![CDATA[Blogposts]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Keynotes Speeches]]></category>
		<guid isPermaLink="false">http://www.interdisciplinaryitaly.org/?p=5271</guid>

					<description><![CDATA[<p>Programme Led by Dr Emma Wagstaff from the University of Birmingham and supported by the British Academy / Leverhulme Trust, this project will investigate the role of literary and cultural reviews in the protests and political unrest of the late 1960s. Covering multiple geographical areas and languages, â€˜1968 in reviewsâ€™ will run until 2019. 10.30-11.00...</p>
<p>L'articolo <a href="https://interdisciplinaryitaly.org/23-april-2018-1968-reviews/">Dr Patti&#8217;s Keynote on &#8216;1968 in reviews&#8217;/23 April 2018, Birmingham</a> sembra essere il primo su <a href="https://interdisciplinaryitaly.org">Interdisciplinary Italy</a>.</p>
]]></description>
										<content:encoded><![CDATA[<header class="entry-header">
<h1 class="entry-title">Programme</h1>
</header>
<div class="entry-content">
<p>Led by <strong>Dr Emma Wagstaff</strong> from the University of Birmingham and supported by the British Academy / Leverhulme Trust, this project will investigate the role of literary and cultural reviews in the protests and political unrest of the late 1960s. Covering multiple geographical areas and languages, â€˜1968 in reviewsâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" /> will run until 2019.</p>
<p><strong>10.30-11.00</strong></p>
<p><strong>Arrival, refreshments, and Introduction</strong></p>
<p><strong>11.00-12.00</strong></p>
<p><strong>Invited speaker: Emanuela Patti</strong>, Royal Holloway, University of London and University of Birmingham</p>
<p>â€˜The art of politics / the politics of art. 1968 and the Italian neoavantgarde magazinesâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p>
<p><strong>12.00-1.00</strong></p>
<p><strong>Caroline Rabourdin</strong>, Bartlett School of Architecture, University College, London, and AA School of Architecture</p>
<p>â€˜Roland Barthes in 1968 reviewsâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p>
<p><strong>Holly Langstaff</strong>, University of Warwick</p>
<p>â€˜Blanchot after 1968: Fragmentary Writing and the Destitution of the Subjectâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p>
<p><strong>1.00-2.00</strong></p>
<p><strong>Lunch</strong></p>
<p><strong>2.00-3.30</strong></p>
<p><strong>Andy Stafford</strong>, University of Leeds</p>
<p>â€˜<em>Souffles</em> and Moroccoâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />s 1968: Towards a Poetics of Post-colonial Revolt?â€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p>
<p><strong>Alexandru Matei</strong>, Ovidius University, Constanta</p>
<p>â€˜1968 in Romania: How External Conflicts Bring Internal Peace (and prepare a tyranny)â€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p>
<p><strong>Alexander Corcos</strong>, University of Warwick</p>
<p>â€˜The Situationist Internationalâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p>
<p><strong>3.30-3.45</strong></p>
<p><strong>Tea/coffee</strong></p>
<p><strong>3.45-4.45</strong></p>
<p><strong>Invited speaker: Mererid Puw Davies</strong>, University College London</p>
<p>â€˜Literatureâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />s Tiny Death Knell:Â West German Reviews and Literary Culture, 1968â€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" /></p>
<p><strong>4.45-5.15</strong></p>
<p><strong>Closing discussion</strong></p>
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<p>L'articolo <a href="https://interdisciplinaryitaly.org/23-april-2018-1968-reviews/">Dr Patti&#8217;s Keynote on &#8216;1968 in reviews&#8217;/23 April 2018, Birmingham</a> sembra essere il primo su <a href="https://interdisciplinaryitaly.org">Interdisciplinary Italy</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">5271</post-id>	</item>
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		<title>Dr Brook&#8217;s Keynote on &#8216;Expanded Cinema&#8217; at the ASMI Conference</title>
		<link>https://interdisciplinaryitaly.org/dr-brooks-keynote-expanded-cinema-asmi-conference/</link>
		
		<dc:creator><![CDATA[Interdisciplinary Italy]]></dc:creator>
		<pubDate>Wed, 21 Jun 2017 15:13:57 +0000</pubDate>
				<category><![CDATA[Blogposts]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Keynotes Speeches]]></category>
		<guid isPermaLink="false">http://www.interdisciplinaryitaly.org/?p=4924</guid>

					<description><![CDATA[<p>Dr Clodagh Brook is delivering the Friday Keynote at the ASMI Postgraduate Conference in Royal Holloway on 23rd July. Her talk focuses on the concept of â€œexpansionâ€ of the arts, a concept which was coined by Stan VanDer Beek (1927-1984) in the 1960s. She and Dr Emanuela Patti are currently working together on this concept...</p>
<p>L'articolo <a href="https://interdisciplinaryitaly.org/dr-brooks-keynote-expanded-cinema-asmi-conference/">Dr Brook&#8217;s Keynote on &#8216;Expanded Cinema&#8217; at the ASMI Conference</a> sembra essere il primo su <a href="https://interdisciplinaryitaly.org">Interdisciplinary Italy</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Dr Clodagh Brook</strong> is delivering the Friday Keynote at the <a href="http://www.asmi.org.uk/news/asmi-postgraduate-summer-school-2017-call-papers/">ASMI Postgraduate Conference in Royal Holloway</a> on 23<sup>rd</sup> July. Her talk focuses on the concept of â€œexpansionâ€ of the arts, a concept which was coined by Stan VanDer Beek (1927-1984) in the 1960s. She and <strong>Dr Emanuela Patti</strong> are currently working together on this concept in order to construct a frame for better understanding the relations between arts often seen to be rivals, such as video art and cinema. These arts are seen here not as opposed, but instead as extension. The questions which her talk presents are: can we meaningfully use the concept of expansion to talk about the relations between the arts in Italy? How can expansion be applied to the work of video artists (Studio Azzurro)? Does this change how we conceive of cinemaâ€<img src="https://s.w.org/images/core/emoji/16.0.1/72x72/2122.png" alt="™" class="wp-smiley" style="height: 1em; max-height: 1em;" />s identity? Does our own critical work needs to change as a result of thinking of cinema &#8211; and the arts more generally &#8211; as fluid rather than static and as expanded rather than oppositional?</p>
<p>L'articolo <a href="https://interdisciplinaryitaly.org/dr-brooks-keynote-expanded-cinema-asmi-conference/">Dr Brook&#8217;s Keynote on &#8216;Expanded Cinema&#8217; at the ASMI Conference</a> sembra essere il primo su <a href="https://interdisciplinaryitaly.org">Interdisciplinary Italy</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">4924</post-id>	</item>
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		<title>November 2016/ Keynote, Cinema and the Arts in Italy: Creativity, Conflict and Collaboration</title>
		<link>https://interdisciplinaryitaly.org/november-2016-keynote-cinema-arts-italy-creativity-conflict-collaboration/</link>
		
		<dc:creator><![CDATA[Interdisciplinary Italy]]></dc:creator>
		<pubDate>Tue, 22 Nov 2016 12:12:50 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Keynotes Speeches]]></category>
		<guid isPermaLink="false">http://www.interdisciplinaryitaly.org/?p=4811</guid>

					<description><![CDATA[<p>On 25th November 2016 at 2pm at Flinders University, Adelaide, Australia, Clodagh Brook will be giving the keynote talk for the Conference, An Eye on Italy. This talk investigates how Italian cinema has collaborated with the arts, particular other visual arts, from the sixties through to our digital contemporaneity. Crossing boundaries between artistic disciplines has...</p>
<p>L'articolo <a href="https://interdisciplinaryitaly.org/november-2016-keynote-cinema-arts-italy-creativity-conflict-collaboration/">November 2016/ Keynote, Cinema and the Arts in Italy: Creativity, Conflict and Collaboration</a> sembra essere il primo su <a href="https://interdisciplinaryitaly.org">Interdisciplinary Italy</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>On 25th November 2016 at 2pm at Flinders University, Adelaide, Australia, <strong>Clodagh Brook</strong> will be giving the keynote talk for the Conference, <i>An Eye on Italy. </i><span lang="en-GB">This talk investigates how Italian cinema has collaborated with the arts, particular other visual arts, from the sixties through to our digital contemporaneity. Crossing boundaries between artistic disciplines has been variously described as &#8220;avant-garde&#8221;, &#8220;experimental&#8221;, &#8220;disruptive&#8221; even, for Roland Barthes, as &#8220;war&#8221;. However, by the 1960s, cinema was already a collaborative art, so was there still room for such experimentation? Where has cinema set its artistic boundaries? Are there players who defamiliarise the normality of cinema&#8217;s interartistic and intermedial collaboration? Taking mini case studies from Italy of the 1960s, 1980s and the 2010s, the talk focuses attention on individuals and groups who are actively engaged in disrupting boundaries and explores how institutions and technologies foster or hinder such disruption. In so doing, the talk will challenge and amend established ideas of cultural centres and peripheries.</span></p>
<p>Dr Brook will be giving a second talk at the conference in Australia, this time on, The Future of Italian Interdisciplinary and Visual Studies Teaching. This takes place on 26th November, 4.00-5.30pm</p>
<p>L'articolo <a href="https://interdisciplinaryitaly.org/november-2016-keynote-cinema-arts-italy-creativity-conflict-collaboration/">November 2016/ Keynote, Cinema and the Arts in Italy: Creativity, Conflict and Collaboration</a> sembra essere il primo su <a href="https://interdisciplinaryitaly.org">Interdisciplinary Italy</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">4811</post-id>	</item>
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		<title>November 2015 / Keynote Speeches, Incroci/Crossings Conference &#8211; Luoghi della creatività e reti della comunicazione, Bergen</title>
		<link>https://interdisciplinaryitaly.org/4-611-incrocicrossings-conference-luoghi-della-creativita-e-reti-della-comunicazione/</link>
		
		<dc:creator><![CDATA[Interdisciplinary Italy]]></dc:creator>
		<pubDate>Wed, 18 Nov 2015 23:08:40 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Keynotes Speeches]]></category>
		<guid isPermaLink="false">http://www.interdisciplinaryitaly.org/?p=4030</guid>

					<description><![CDATA[<p>INCROCI/CROSSINGS Conference Luoghi della creatività  e reti della comunicazione University of Bergen, 4-6 November 2015 Florian Mussgnug and Emanuela Patti were keynote speakers at the conference INCROCI/CROSSINGS organized by Marco Gargiulo. The titles of their papers were: Florian Mussgnug, Trans/Form: The Sixties, Experimentalism, and the Origins of Interactivity Emanuela Patti, Experiment now: contemporary Italian fiction...</p>
<p>L'articolo <a href="https://interdisciplinaryitaly.org/4-611-incrocicrossings-conference-luoghi-della-creativita-e-reti-della-comunicazione/">November 2015 / Keynote Speeches, Incroci/Crossings Conference &#8211; Luoghi della creatività e reti della comunicazione, Bergen</a> sembra essere il primo su <a href="https://interdisciplinaryitaly.org">Interdisciplinary Italy</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>INCROCI/CROSSINGS Conference</strong><br />
<em>Luoghi della creatività  e reti della comunicazione</em></p>
<p>University of Bergen, 4-6 November 2015<span id="more-4030"></span></p>
<p>Florian Mussgnug and Emanuela Patti were keynote speakers at the conference INCROCI/CROSSINGS organized by Marco Gargiulo.</p>
<p>The titles of their papers were:<br />
Florian Mussgnug,<em> Trans/Form: The Sixties, Experimentalism, and the Origins of Interactivity</em></p>
<p>Emanuela Patti, <em>Experiment now: contemporary Italian fiction in the Postmedia perspective/la letteratura italiana contemporanea nella prospettiva postmediale</em></p>
<p>L'articolo <a href="https://interdisciplinaryitaly.org/4-611-incrocicrossings-conference-luoghi-della-creativita-e-reti-della-comunicazione/">November 2015 / Keynote Speeches, Incroci/Crossings Conference &#8211; Luoghi della creatività e reti della comunicazione, Bergen</a> sembra essere il primo su <a href="https://interdisciplinaryitaly.org">Interdisciplinary Italy</a>.</p>
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