News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...
Take the language of comic strips and give it to one of the most charismatic avant-garde singers. Pair her with an abstract painter who doubles in graphic design. Wrap up by putting...
There are some recurring basic concepts in the humanities and social sciences that seem to be under perennial debate. They are constantly under attack for being ‘simplistic’ or criticised for being vague...
In the last twenty years, intermediality and related concepts such as adaptation (Linda Hutcheon), remediation (Jay David Bolter/Richard Grusin) and transmedia (Henry Jenkins) have become exceptionally productive in a range of disciplines...
There is a photograph, taken around 1920, of the Olivetti manager Domenico Burzio. Olivetti was the first Italian company to make a typewriter, and it went on, after World War II, to...
How can we help history students engage with sources? This is a key question for many history teachers. A-level history students find deconstructing sources easy. Yet, they find using ‘biased’ evidence, especially...
When Umberto Eco published his seminal essay Opera aperta [The Open Work] in 1962, a number of experiments across literature and computer machines had set the ground of what we call today...
This summer in Edinburgh, at the conference of the Society for Italian Studies, the first entirely cognitive-oriented panel was presented. The transdisciplinary perspective allowed by the cognitive lens enabled the panellists to...
Emma Dante, the groundbreaking director of plays and operas, works on textuality with a visual and visionary eye. Through contextual codes borrowed from a number of media she builds a network of...
During the International Conference, Interart/Intermedia Experimentation in Italy Through the Ages, Royal Holloway 12-13th April 2019, I had the honour of presenting the collaborative and cross-disciplinary project </unravel;> which I have worked...
How can we identify meaningful transmedial points of contact between cultural practices in a way that doesn’t overlook the specific modes of expression inherent to different medial forms? My doctoral research has...