News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...

Eleonora Lima is a Research Fellow in the Discipline of Digital Humanities at the Trinity Long Room Hub where she works with Dr Jennifer Edmond on the EU funded project Knowledge Technologies for Democracy (KT4D).
She has published extensively on the interconnections between literature, science, and technology, with a special focus on cybernetics and on the impact of Artificial Intelligence on arts and culture. Her research interests also include literature and science, as well as film and media studies. Her most recent book, Le tecnologie dell’informazione nella scrittura di Italo Calvino e Paolo Volponi. Tre storie di rimediazione (2020) has been published by Firenze University Press.
Currently she is working on her third book, the first comprehensive cultural history of computing in Italy through the lens of literature (project website: https://narratingcomputing.com/). Her work investigates how the advent of computers and information science in the 1950s prompted literature to rethink the status of its own tool – language – as well as the definition of human creativity. The project aims to provide the first detailed history of computing in Italian literature, from the mainframe computer era of the mid-1950s, to the advent of personal computers in the 1980s and the early days of the Web in the 1990s, and the present times of ubiquitous computing and Web 2.0. Her findings will be disseminated in a monograph which is currently in preparation.
Previously Eleonora was an EU Marie Skłodowska-Curie Postdoctoral Fellow (2018-2020) at Trinity College Dublin where she worked on a project titled Mapping Remediation in Italian Literature Beyond the Digital Revolution, devoted to the intermedial dialogue between Italian literature and computer science.
She holds a BA in Italian Philology (University of Florence, 2005), a Masters in Modern Philology (University of Florence, 2008), and a PhD in Italian and Media Studies (University of Wisconsin-Madison, 2015). She was previously a Postdoctoral Fellow in Italian at the University of Toronto (2017-2018). She has worked as Sessional Lecturer in the Department of Digital Humanities at King’s College London.
Since 2019, Eleonora has been a member of the Ethically Aligned Design for the Arts Committee, a part of the IEEE Global Initiative on Ethics of Autonomous and Intelligent Systems. The Committee engages in policy research and advocacy for an ethical practice and design of Artificial Intelligence in the arts.
Profile at Trinity College Dublin
Twitter @limaeleonora1