News of the second phase of...
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
We are delighted to announce that we have won an AHRC standard grant of £680,000 to enable us to continue this project from summer 2015 until the end of 2018....
On Monday 12 May 2014 Dr Giuliana Pieri met with two highly experienced teachers of Italian, Carmela Amodio Johnson and Barbara Romito to talk about their experience of interdisciplinarity in the classroom in a...
One of the key questions of the project relates to the ways in which interdisciplinarity in both theory and practice can inspire new patterns of teaching. Our collaboration with teachers...
The 2013 conference of the Association for the Study of Modern Italy, which took place on 22 and 23 November at the Institute of Modern Languages Research, London, put in...
The interest in taking interdisciplinary and interartistic approaches to Italian cultural figures continues, as a new project is announced on Luigi Ghirri: “Viewing and writing Italian Landscape: Luigi Ghirri and...
On the occasion of the last SIS Biennial Conference (Durham, 7-11 July), I organized a panel entitled “Italian transmedia culture: stories and storytelling across media” which included papers presented by...
Giuliana Pieri, in her paper on “Vision and Visuality in Italian Studies”, explored a surprising blind spot in the current field of Italian studies: the interdisciplinary field of Visual Studies....
Before the radical changes to the languages curriculum that began in the late 1980s, the study of literature and the language required to read it were the unique focus of...
Interdisciplinarity is everywhere seen as normative, necessary, and part of what we do, and need to do, as academics.It’s good, isn’t it, to bring in documentaries when we teach history?...
Experiment/Experience Pierpaolo Antonello’s contribution to the third Interdisciplinary Italy Workshop held at University College London, Saturday, 11th May 2013, can be accessed here: experimentexperience powerpoint ExperimentExperience paper
Fotografia circa 1968 I focus on the chiasmus that occurred between art, and photography in particular, around 1968 in Italy. By then artists had begun to creatively use photographic documents,...
Music/ theatre/ virtuosity: Berio, Berberian and Eco at the Studio di Fonologia Dr Steve Halfyard examined the work Luciano Berio did involving language with Umberto Eco and Cathy Berberian at...
Italian fashion narratives have often focused on the stylistic trajectories of couturiers and individual stilisti or on the biographies of fashion centres such as Turin during the interwar period, Florence as symbol...
My launch of Futurist Women: Florence, Futurism and the New Sciences (Palgrave Macmillan, 2015 – 2016) was held in Senate House, London, on 7 June 2016, with Katia Pizzi as chair and...
On Saturday 18 June 2016, the Italian Cultural Institute in London hosted a very exciting and extremely well attended conference organised by the ISMLA (Independent Schools Modern Languages Association) and the SIS...
“Le storie sono sempre convergenze di diverse nature” (“Stories are always convergences of different natures”), stated Aldo Nove illustrating the idea behind Fabio Vacchi’s opera Lo Specchio Magico (Urban Art Dance Opera),...
Memory is continuously shaped in the present, and increasingly so through the use of new media. Indeed, the proliferation of new media technologies, products and aesthetics is inextricably linked to changing ways...
MIRACOLO A MILANO interactive video installation Portatori di Storie, Milano 2016 [Storytellers, Milan 2016] [We are delighted to present one of the recent works by our partner Studio Azzurro] Miracolo a Milano...
There is a famed and frequently quoted passage in Epic and Novel in which the Russian critic, Mikhail Bakhtin, uses the terms «novel-ise» and «novel-isation» in order to refer to the overpowering...
In the opening article of the architectural magazine Quadrante, edited by the writer Massimo Bontempelli and the art critic, curator and collector Pier Maria Bardi and published in Milan between 1933 and...
Workshop Two: “Making Places” Monday, 18th April 2016, University Roma Tre Hosted by the University of Rome (Roma Tre) with the support of the British School at Rome (BSR), our second workshop...